Jumat, 14 Januari 2011

[U191.Ebook] Fee Download Handbook of Literary Rhetoric: A Foundation for Literary Study, by Heinrich Lausberg

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Handbook of Literary Rhetoric: A Foundation for Literary Study, by Heinrich Lausberg

Lausberg's "Handbook of Literary Rhetoric," here made available for the first time in English, received high critical acclaim on its first publication in 1963. It is a monumental work of extraordinary erudition, organisation and comprehensiveness, and enjoys unrivalled authority in its formal description of rhetorical techniques. The present edition is a translation of the second edition of 1973, which was reprinted in 1990. The "Handbook" has for many years been a standard reference work for all engaged in the study of literature and rhetoric. This translation will ensure its accessibility to a new generation of students of rhetoric.

  • Sales Rank: #3272249 in Books
  • Published on: 1997-08-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 9.58" h x 2.55" w x 6.38" l, 3.90 pounds
  • Binding: Hardcover
  • 954 pages

Review
'..".this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent.'
Edgar Krentz, "Religious Studies Review, 2000.
From the reviews of the German edition:
'"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language.'
H. Wolf, "Muttersprache 72, 1962.
'..".the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric.'
W. Kraus, "Romanische Forschungen 75, 1963.
'"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of M]nster...has immersed himself in the broad field of ancient rhetoric in a way which makes his Handbook..".a welcome tool, useful equally to philologists of the classical as well as modern languages.'
W. Schmid, "ASNS 200, 1963.
'"In addition to its more literary approach, the virtues of Lausberg's Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies.'
George A. Kennedy, from the foreword.


'"...this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent."' Edgar Krentz, "Religious Studies Review", 2000. From the reviews of the German edition: '"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language."' H. Wolf, "Muttersprache 72", 1962. '"...the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric."' W. Kraus, "Romanische Forschungen 75", 1963. '"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of Munster...has immersed himself in the broad field of ancient rhetoric in a way which makes his "Handbook"...a welcome tool, useful equally to philologists of the classical as well as modern languages."' W. Schmid, "ASNS 200", 1963. '"In addition to its more literary approach, the virtues of Lausberg's "Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's "Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies."' George A. Kennedy, from the foreword."

'."..this English translation needs no recommendation. The only issue here is the quality of the translation - and it is uniformly excellent."' Edgar Krentz, "Religious Studies Review," 2000. From the reviews of the German edition: '"Lausberg's two-volume work is a testimony to tremendous industry, encyclopedic knowledge, and the power to order tightly and systematize. It offers an exhaustive inventory, that is, a taking stock of not only the theoretical rhetoric of antiquity (including of the French), of the formal poetical, linguistic-architectonic phenomena and rules, aspects and concepts of rhetoric drawn from the cultivated language of the great masters, but of the whole technique of manipulating language."' H. Wolf, "Muttersprache 72," 1962. '."..the extraordinary usefulness of the immense work which L. has produced by critically incorporating the entire bulk of ancient rhetoric."' W. Kraus, "Romanische Forschungen 75," 1963. '"It merits sincere admiration, how the Professor of Romance Languages and Literature at the University of Munster...has immersed himself in the broad field of ancient rhetoric in a way which makes his "Handbook."..a welcome tool, useful equally to philologists of the classical as well as modern languages."' W. Schmid, "ASNS 200," 1963. '"In addition to its more literary approach, the virtues of Lausberg's "Handbuch" include the author's judgment, its wide historical span, its clear organization, and its extensive indices. Lausberg's "Handbuch" has been the reference work to which I first turn for technical information about rhetoric, and I have been recommending it to my students and readers of my books for over thirty years. It has, however, never attained in the English-speaking world the status of a basic reference tool that it deserves. Thus the appearance of an English translation is a happy event for rhetorical studies."' George A. Kennedy, from the foreword."

Language Notes
Text: English (translation)
Original Language: German

About the Author
Heinrich Lausberg ( 1992), was Professor of Romance Languages and Literature, University of Munster, from 1949 until his move to the Padagogische Hochschule, Paderborn, in 1972. His other publications include "Elemente der Literarischen Rhetorik" (1949) and "Romanische Sprachwissenschaft" (1956)."

Most helpful customer reviews

0 of 0 people found the following review helpful.
The origional German edition is cheaper and not much more difficult to use.
By William D. Fusfield
The original "Handbuch der literarischen Rhetorik" is far and away the finest reference work on canonical rhetorical forms. But at the only price for which it is offered here, namely $1,202.00, one would really be far better off brushing up on one's German, Latin, Greek or French, since the work is indexed in all of those languages, although, strangely enough, not also in English.

0 of 0 people found the following review helpful.
Kindle version please
By Joe
I think if there are enough people who say they want it on the Kindle, it'll happen. I know it did for Sister Miriam Joseph's Rhetoric book.

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Selasa, 11 Januari 2011

[A860.Ebook] Download PDF Rigour & Complexity in Educational Research (Conducting Educational Research), by Joe Kincheloe, Kathleen Berry

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Rigour & Complexity in Educational Research (Conducting Educational Research), by Joe Kincheloe, Kathleen Berry

In an era in which talk abounds about scientific rigour and evidence-based research in education, this book presents a new and compelling examination of these concepts and carefully constructs a new understanding of rigour.

  • Sales Rank: #368029 in Books
  • Published on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .51" w x 6.00" l, .68 pounds
  • Binding: Paperback
  • 208 pages

About the Author

Joe L. Kincheloe is a professor of education at the City University of New York Graduate Center.

Kathleen S. Berry is a professor of education at the University of New Brunswick, in Frederickton.

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Minggu, 02 Januari 2011

[C453.Ebook] Ebook Aircraft Design: A Systems Engineering Approach, by Mohammad H. Sadraey

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Aircraft Design: A Systems Engineering Approach, by Mohammad H. Sadraey

A comprehensive approach to the air vehicle design process using the principles of systems engineering

Due to the high cost and the risks associated with development, complex aircraft systems have become a prime candidate for the adoption of systems engineering methodologies. This book presents the entire process of aircraft design based on a systems engineering approach from conceptual design phase, through to preliminary design phase and to detail design phase.

Presenting in one volume the methodologies behind aircraft design, this book covers the components and the issues affected by design procedures. The basic topics that are essential to the process, such as aerodynamics, flight stability and control,�aero-structure, and aircraft performance are reviewed in various chapters where required.� Based on these fundamentals and design requirements, the author explains the design process in a holistic manner to emphasise the integration of the individual components into the overall design. Throughout the book the various design options are considered and weighed against each other, to give readers a practical understanding of the process overall.�

Readers with knowledge of the fundamental concepts of aerodynamics, propulsion, aero-structure, and flight dynamics will find this book ideal to progress towards the next stage in their understanding of the topic. Furthermore, the broad variety of design techniques covered ensures that readers have the freedom and flexibility to satisfy the design requirements when approaching real-world projects.

Key features:

•���������Provides full coverage of the design aspects of an air vehicle including: aeronautical concepts, design techniques and design flowcharts

•�������� Features end of chapter problems to reinforce the learning process as well as fully solved design examples at component level

•��������� Includes fundamental explanations for aeronautical engineering students and practicing engineers

•��������� Features a solutions manual to sample questions on the book’s companion website

Companion website -���www.wiley.com/go/sadraey

  • Sales Rank: #1342762 in Books
  • Brand: Brand: Wiley
  • Published on: 2012-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.92" h x 1.64" w x 6.92" l, 2.90 pounds
  • Binding: Hardcover
  • 808 pages
Features
  • Used Book in Good Condition

Review

“Summing Up: Highly recommended. All academic and technical program engineering collections.” �(Choice, 1 October 2013)

"Readers with knowledge of the fundamental concepts of aerodynamics, propulsion, aero-structure, and flight dynamics will find this book ideal to progress towards the next stage in their understanding of the topic. Furthermore, the broad variety of design techniques covered ensures that readers have the freedom and flexibility to satisfy the design requirements when approaching real-world projects."� (Expofairs.com, 25 January 2013)

From the Back Cover

A comprehensive approach to the air vehicle design process using the principles of systems engineering

�Due to the high cost and the risks associated with development, complex aircraft systems have become a prime candidate for the adoption of systems engineering methodologies. This book presents the entire process of aircraft design based on a systems engineering approach from conceptual design phase, through to preliminary design phase and to detail design phase.

Presenting in one volume the methodologies behind aircraft design, this book covers the components and the issues affected by design procedures. The basic topics that are essential to the process, such as aerodynamics, flight stability and control,� ���aero-structure, and aircraft performance are reviewed in various chapters where required.� Based on these fundamentals and design requirements, the author explains the design process in a holistic manner to emphasise the integration of the individual components into the overall design. Throughout the book the various design options are considered and weighed against each other, to give readers a practical understanding of the process overall.�

Readers with knowledge of the fundamental concepts of aerodynamics, propulsion, aero-structure, and flight dynamics will find this book ideal to progress towards the next stage in their understanding of the topic. Furthermore, the broad variety of design techniques covered ensures that readers have the freedom and flexibility to satisfy the design requirements when approaching real-world projects.

Key features:

•�������� Provides full coverage of the design aspects of an air vehicle including: aeronautical concepts, design techniques and design flowcharts

•�������� Features end of chapter problems to reinforce the learning process as well as fully solved design examples at component level

•��������� Includes fundamental explanations for aeronautical engineering students and practicing engineers

•��������� Features a solutions manual to sample questions on the book’s companion website

Companion website -�� www.wiley.com/go/sadraey

Cover photograph reproduced by permission of Gulfstream Aerospace Corporation

About the Author
Mohammad H. Sadraey
Daniel Webster College, New Hampshire, USA

Most helpful customer reviews

9 of 14 people found the following review helpful.
I have advised my students to avoid this text.
By S. C. McParlin
On marking student submissions on aircraft design projects last year, I came across a small number of peculiar anomalies, derived from references to an earlier text by this author. When I subsequently saw some more of the authors' work recently, I was horrified by how many factual inaccuracies even a small sample contained. I could not advise anyone to spend money on this book.

Stephen McParlin, Associate Fellow AIAA, Fellow RAeS.

0 of 0 people found the following review helpful.
Filled with mistakes, not the known classic
By Amazon Customer
Careful! A considerable amount of factual mistakes in this book.
Do not mistake for the widely reviewed and respected book by Raymer!

0 of 1 people found the following review helpful.
Good
By Angel
Needed this for a class. Good so far

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Sabtu, 01 Januari 2011

[N155.Ebook] Ebook Download Disney Villains: The Top Secret Files, by Jeff Kurtti

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This fiendishly fun 48-page handbook features the villains everyone loves to hate. The sinister lineup includes such baddies as Cruella De Vil, Lady Tremaine, Captain Hook, Madame Medusa, The Evil Queen, Maleficent, Yzma, Gaston, Ursula, and Jafar. Inside you'll find hilarious dossiers and revealing information on each twisted villain, with removable documents like Gaston's report card from the Village Grade School, a flowchart from Ursula that plots her rise to Ruler of the Sea, Maleficent's favorite clothing catalog, Fearsome Fashions, and more! Moo-whah-hah-hah!

  • Sales Rank: #210853 in Books
  • Brand: Brand: Disney Press
  • Published on: 2005-09-12
  • Released on: 2005-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .50" w x 7.38" l,
  • Binding: Hardcover
  • 48 pages
Features
  • Used Book in Good Condition

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7 of 7 people found the following review helpful.
My kids love this book
By J. Gagliardi
My 9 year old daughter bought this in a gift shop at Disney world. As you can imagine it cost far more than the price posted here on Amazon. It is now a favorite book; my son is 7 and is equally enamored with it. They love all the little tidbits of information about the Disney villas and their childhood/ younger days. It is fun to read the background stories that have contributed to their becoming villains. There are many fold out pictures adding even more interest to this book. If your kids like anything Disney they will love this book.

1 of 1 people found the following review helpful.
fun book, comics format
By docvel23
I bought this book for my son, but I enjoyed it more than he did! I guess it was too much detail for a 5 yr old to handle, but overall , this book is great, just like the other villain books I bought, they lack a lot of the latest disney villain characters.

2 of 3 people found the following review helpful.
Disney Villians: The Top Secret Files
By M. McCann
My daughter is 3 1/2 and loves this book. She is a princess fanatic but somehow has gotten interested in the villians. She looks at it everyday. I think it really is for an older child but she enjoys it anyway. It has many neat features that make it interactive.

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Sabtu, 11 Desember 2010

[G205.Ebook] Free Ebook Dead Man's Dancer: The Mechele Linehan Story, by Tom Brennan

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Dead Man's Dancer: The Mechele Linehan Story, by Tom Brennan

Mechele is young, attractive, and looking to cash in on her aesthetic assets when she moves from New Orleans to Alaska in 1994 to earn money for college tuition. Her charms ensnare the affections of three men, and the combined effects of jealously, lust, and greed take a deadly turn in this true crime story. Before a murder in the woods shatters her contented life, Mechele works as an exotic dancer at the Alaska Bush Company, where she spends her days pleasing a procession of hard-working men. John, Scott, and Kent are simultaneously smitten with Mechele, and offer affection in the form of lavish gifts and, ultimately, engagement rings. While the three men begin their affairs on the same path, violent murder blasts apart their parallel lives. One of the trio is shot in the back; another is accused of the murder. Dead Man's Dancer follows this murder case from 1996 throughout Mechele's tumultuous trial in 2006 that becomes a nationwide sensation. Shocking in its detailed portrayal of murder and convoluted love affairs, Dead Man's Dancer excites horror in readers that lingers far after the last page is turned.

  • Sales Rank: #891658 in Books
  • Published on: 2015-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .33" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 160 pages

From the Inside Flap

Mechele is young, attractive, and looking to cash in on her aesthetic assets when she moves from New Orleans to Alaska in 1994 to earn money for college tuition. Her charms ensnare the affections of three men, and the combined effects of jealously, lust, and greed take a deadly turn in this true crime story. Before a murder in the woods shatters her contented life, Mechele works as an exotic dancer at the Alaska Bush Company, where she spends her days pleasing a procession of hard-working men. John, Scott, and Kent are simultaneously smitten with Mechele, and offer affection in the form of lavish gifts and, ultimately, engagement rings. While the three men begin their affairs on the same path, violent murder blasts apart their parallel lives. One of the trio is shot in the back; another is accused of the murder. "Dead Man's Dancer" follows this murder case from 1996 throughout Mechele's tumultuous trial in 2006 that becomes a nationwide sensation. Shocking in its detailed portrayal of murder and convoluted love affairs, "Dead Man's Dancer" excites horror in readers that lingers far after the last page is turned.

About the Author

A native of Massachusetts, Tom Brennan is a newspaper columnist and witty fellow who cut his teeth in journalism on the police beat. He moved to Alaska in 1967. He is a communications consultant, newspaper columnist, former oilman, and self-described "recovering fly-fisherman." He and his wife, Marnie, live in Anchorage.

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0 of 0 people found the following review helpful.
Don't Bother
By SC Reader
Worst book about case ever. Many facts wrong. Chronology is all over the place. Don't understand how anyone could get a grasp of the case by reading this.

0 of 0 people found the following review helpful.
Pretty good read
By TeineLeone
A good book to pass time in the gym or on a flight.... Awesome work and very detailed and the sequence was on point.

0 of 3 people found the following review helpful.
Five Stars
By alansmith
Enjoyed

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Rabu, 08 Desember 2010

[X740.Ebook] Download PDF Yakety SaxFrom Hal Leonard

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Yakety SaxFrom Hal Leonard

  • Sales Rank: #12201955 in Books
  • Brand: Hal Leonard
  • Dimensions: .99 pounds
  • Binding: Sheet music

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Senin, 06 Desember 2010

[Z592.Ebook] Get Free Ebook Basic Critical Theory for Photographers, by Ashley la Grange

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Basic Critical Theory for Photographers, by Ashley la Grange

If you want to understand the key debates in photography and learn how to apply the fascinating issues raised by critical theory to your own practical work, this is the book for you! This accessible book cuts through often difficult and intimidating academic language to deliver understandable, stimulating discussion and summaries of the original texts.

Key works by great writers such as Sontag and Barthes are explored, along with those from other prominent critics. You are guided through a broad range of issues, including the differences between Eastern and Western art, post-modernism, sexism, the relationship between photography and language and many other crucial debates. The book is illustrated by many classic images by eminent international photographers.

Each chapter is followed by stimulating assignments and activities to get you thinking critically and apply theoretical knowledge to your own practical work. A helpful glossary provides quick access to all key terms and a substantial index references key words within the original essays which are not normally indexed.

A must-have aid to anyone studying critical theory, this book provides intelligently written, illuminating insights on the 21st century's dominant art form.

  • Sales Rank: #633502 in Books
  • Published on: 2005-07-17
  • Released on: 2005-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .60" w x 7.44" l, 1.47 pounds
  • Binding: Paperback
  • 284 pages

Review
"Summaries of key texts are followed by thought-provoking questions and practical assignments...the texts are well chosen." - www.photoarchivenews.com

"It's perfect for those who want to understand key debates in photography." - Amateur Photographer

"Ashley la Grange has written an excellent book which navigates through the context and meaning of photography. It covers photography from a range of cultural and historical perspectives as well as guiding the reader though a visual language which many outside the world of academic photography can only guess at...Basic Critical Theory for Photographers is one of those books which should become part of the syllabus of many of the excellent photography courses that are out there." - www.kickstartnews.com

"...a good introduction to theory for photographers looking to expand their understanding of their art form." - Photo Techniques

About the Author
Head of Photography at Rickmansworth School, UK. He is a consultant for exam boards in charge of deciding photography syllabi. He has a particular interest in demystifying critical theory.

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29 of 33 people found the following review helpful.
recommended to all those interested in photographic theory..
By R. Fuller
Had this book been available during my degree in photography, I would have found it invaluable as an introduction not only to key texts to read alongside the originals, but also as an introduction to a wider range of approaches and writers of photographic criticism. After my degree even, it has been an enlightening book to read.

Ashley la Grange makes photographic theory accessible to those intimidated or unfamiliar with the sometimes overly complicated language used, and guides the reader through points that can be difficult to grasp without losing complexities of the original work.

Having worked with A-level students of photography since my graduation, I have found this an ideal book to not only introduce pupils to main ideas and terminology used in theory, but also to encourage personal responses through thought provoking questions included at the end of each chapter.

This book is different to other introductory books on photographic criticism in that its aims are not only to offer an overview of main debates and texts, but to help the reader gain a greater understanding of what they contain.

8 of 8 people found the following review helpful.
Basic Critical Theory for Photographers
By R. Purcell
This is a very useful book for anyone who wants to understand what photographs mean; how a particular meaning is constructed by the photographer and how different meanings are interpreted by the viewers.

The book is a summary of `essential texts' on photographic practice and theory. It's not critical theory in the technical academic sense; rather it is a selection of texts that it is critical to understand to gain some insight into the workings of photography. The selection of texts covers basic ideas of how photographs are constructed to semiotics, structuralism, post structuralism and post modernism to literature, poetry and philosophy. The book is targeted to a variety of audiences from high school students, to university students and advanced practitioners. It does help though to have a basic understanding of semiotics to get into some of the more difficult material.

A few years ago I completed a Masters degree in photography and many of the core texts from the course are included in this book. It is all well done, the summary of the texts are clear (or as clear as it's possible to be with some of this material). la Grange usefully includes a series of questions after each text that explores the key points and debates from the text. He also suggests photographic exercises that can be undertaken to explore the individual points. The plus side to all this is that he provides a relatively easy route to understanding this material without wading through the original books and articles. The down side is of course that many people will now not read the originals and loose much of the detail of the arguments.

The book starts with John Berger's Ways of Seeing (standard fare for any photo course). He then summarises Szarkowski's The Photographers Eye and Shore's The Nature of Photographs. Inevitably (and rightly) we get a long pr�cis of Susan Sontag's On Photography that draws out many of the problematic ideas and half thoughts from her book. This is followed by Roalnd Barthes Camera Lucida which is mainly useful for the idea of `punctum'.

We then get a series of shorter pieces: Martha Rosler In, Around and Afterthoughts, Clive Scott The Spoken Image: Photography and Language, Andy Grundberg's The Crisis of the Real, Bertrand Russell on Appearance and Reality, Italo Calvino's short story The Adventures of a
Photographer and some poems by Felix Morrisseau-Leroy and George Szirtes

Also included is Raghubhir Sing's River of Colour where he argues that western sensibility tied to Judaeo-Christian values allows the creation of black and white photographic practice, whereas in India the values and world view of Hinduism promotes only the exploration of colour; interesting stuff. Finally a short section of Robert Adams, John Baldessari and Peter Goodwin's Analysis of Particular Photographs

Its hard to see how anyone can really understand the nature of photography without working through these texts. La Grange's book is therefore fully recommended. Go read.......

26 of 32 people found the following review helpful.
Cliffs Notes for Photographers
By Conrad J. Obregon
Perhaps even before considering this particular book, one might want to ask whether a study of photographic critical theory and philosophy will actually help a photographer to take better pictures. I would suspect that would depend, at least in part, on the genre that a photographer worked in. Much of the recognized current critical theory points toward a deconstructionist view of photography that attacks the validity of photographs and the use to which society puts them. I suspect the post-modernist photographer might benefit more than a traditional photographer who is primarily concerned with creating a beautiful image. (I know I invite attack for this over-simplification, but an adequate discussion of the utility of critical theory would require another book.) I asked a number of photographers their opinion and received a wide variety of responses. So be warned in advance that not every photographer will benefit from such study.

This book makes reference to a number of books and essays that are seminal works in the modern (or perhaps, post-modern) photography canon. They include John Berger's "Ways of Seeing: Based on the BBC Television Series"; John Szarkowski's "The Photographer's Eye"; and Susan Sontag's "On Photography (Penguin Modern Classics)" as well as a number of important shorter essays. Indeed the only major work omitted seemed to be Walter Benjamin's "The Work of Art in the Age of Mechanical Reproduction".

La Grange's method is to provide a summary of the works, and then to provide a series of questions and exercises relating to the particular piece.

I confess that I did not read every summary presented because I found reading the summaries to be less than useful, although I did read at least one half of the book.

In several cases I compared the summaries to the original work. I found that in a few cases the summary was almost as long as the original work. However, many of these original works were very precisely developed with each idea clearly articulated, repeated and exemplified, so that the work was like a series of short geometric chords, each dependent on the previous, that, when observed from a distance formed an arc of ideas. Le Grange's summaries were more like long chords that missed many of the intermediated points and created a jagged figure. As a result it was often impossible for me to follow the original argument in the summary while a reading of the original revealed the author's points far more clearly.

Add to this the fact that many of the covered authors have a writing style that is worth following for its own sake, apart for the content, and that the summaries make no effort to capture that style.

Why someone would prefer to provide summaries of such complex works rather than the originals is beyond my comprehension. At first I suspected that there might have been a problem securing reprint rights, but another book that covers the same ground, "The Photography Reader", edited by Liz Wells, reprints original essays and important extracts of most of the readings in the la Grange book.

If there is any value to a photographer in reading critical theory, I would recommend that he or she read the original books and essays. Then, if they wish to refresh their memory at some future date, this book may prove useful. I would also recommend that the photographer interested in working in traditional forms might benefit from reading "Photography in Print: Writings from 1816 to the Present", edited by Vicki Goldberg.

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