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A collection of fifteen stories, eleven of which have never been previously published, from the early career of bestselling American master Elmore Leonard.
Over his long and illustrious career, Elmore Leonard was recognized as one of the greatest crime writers of all time, the author of dozens of bestselling books—many adapted for the big screen—as well as a master of short fiction. A superb stylist whose crisp, tight prose crackled with trademark wit and sharp dialogue, Leonard remains the standard for crime fiction and a literary model for writers of every genre.
Marked by his unmistakable grit and humor, the stories in Charlie Martz and Other Stories—produced early in his career, when he was making his name particularly with westerns—reveal a writer in transition, exploring new voices and locations, from the bars of small-town New Mexico and Michigan to a film set in Hollywood, a hotel in Southern Spain, even a military base in Kuala Lumpur. They also introduce us to classic Leonard characters, some who recur throughout the collection, such as aging lawman Charlie Martz and weary former matador Eladio Montoya.
Devoted Leonard aficionados and fans new to his fiction will marvel at these early works that reveal an artist on the cusp of greatness.
- Sales Rank: #622368 in eBooks
- Published on: 2015-06-16
- Released on: 2015-06-16
- Format: Kindle eBook
Most helpful customer reviews
9 of 9 people found the following review helpful.
And the Reason for Publishing Is....?
By P. Gleeson
Leonard, of course, is an acknowledged master of at least two genres: the western and the gritty urban crime novel. At some point in his career he wove in another genre, the dufus comic pop novel as the crimes migrated beyond Detroit to Hollywood and Florida. The earlier characters could be somewhat archetypal -- or, more critically -- stock, but without losing their archetypal flavor the later characters, like Rylans, were deliberately exaggerated and individualized.
I'm beginning this review a little off the subject of the stories in the current collection to remind myself how good and special Leonard's writing came to be because these early (?) stories range from predictable to embarrassingly awful. They were either apprentice work or, if they were later (many of them aren't even dated so who knows?) they were efforts -- as an other reviewer noted -- that deserved to stay in the drawer.
Every good artist produces bad work from time to time. It's inevitable because the only way you get better is by practicing your art and no matter who you are the statistics catch up with you. Produce enough masterpieces like Miles Davis' "Kind of Blue" and "In a Silent Way" and eventually there will be "Doo-Bop."
There are a few reasons for ever letting this stuff see the light after the artist's death. One is that when an artist is important enough -- and Leonard is surely sufficiently important for this to apply -- scholars can better understand the artist by seeing what failure looks like. Younger writers can see how Leonard's mature career developed from a genre novelist's rather ordinary beginnings --through immense amounts of practice. And also, I suppose, completists (and I'm not one) who love an artist enough want to get all they can.
But the value of this book is seriously diminished because of what I have to suspect is a cynical and unworthy motive--publishing every last drop to maximize profit. If Harper Collins had something better in mind, why the casual omission of any biographical materials that would have explained the circumstances of each story. Many of them are even undated, which is taking casual all the way to shoddy. I'm guessing the dated stories were published but not later collected and that the undated stories were never published at all. Regarding them, were they ever submitted to a publisher? More than once? Were there just rejection slips or no record of what happened at all or did any of the publisher's readers respond personally with something that Leonard readers might have found interesting. What did Leonard think about these stories eventually being collected and published? Some writers don't want their failures published ever, others have a more tolerant view.
All and all, from a scholarly perspective, this collection fails almost entirely. And lacking a scholarly justification for publishing it, Harper Collins and the estate would have served Leonard (and book buyers generally) better by keeping these off the market. These stories aren't going to diminish Leonard's reputation, finally, but they do diminish Harper Collins'.
19 of 23 people found the following review helpful.
How could you do this to us?
By James D. Norton
Elmore Leonard has been my favorite author for decades. His books line my walls. I have given many more away to friends. This book of things that he chose not to publish should have remained right where he left them. This stuff isn't fit to pirnt. To all the budding authors I've worked with over the years who were never published, I have to say that none of you ever presented anything for review to our groups that was this poor. The great news is that Leonard went from this terrible stuff to some really great work and a long career as a very entertaining writer.
2 of 2 people found the following review helpful.
Adjust your Expectations: Mediocre Elmore Leonard is still better than most
By Fred Nietzsche
The stories here are very uneven. Some of them just seem like first drafts that were forgotten but a few are quite engrossing. I think all the bad reviews are because people expect this to be as good as most of what Leonard writes, which doesn't make a lot of sense given these stories were all unpublished. If you are an Elmore Leonard fanatic like me and have read everything he's ever written then I think this is definitely worth reading. If not, then there are many better short novels and stories to start with. I would recommend: Ride the Rap, Pronto, La Brava, just off the top of my head as some great Leonard novels to start with.
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