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The Form Of The Book Book, by Fraser Muggeridge Ed Sara De Bondt
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Now it in its second printing, The Form of the Book Book brings together essential essays on the book its history, present, and possible futures by preeminent graphic designers and graphic design theorists/historians including Chrissie Charlton, Catherine de Smet, James Goggin, Jennie Eneqvist, Roland Fr�h & Corina Neuenschwander, Sarah Gottlieb, Richard Hollis and Armand Mevis. In a nod to Jan Tschicholds famous collection of essays The Form of the Book, first published in 1975, this book offers in-depth analyses of key moments in the history of book design in order to better imagine the many forms the book will take, and is already taking, in our digital age.
- Sales Rank: #506355 in Books
- Published on: 2012-10-24
- Binding: Paperback
- 96 pages
- Artist Book
Most helpful customer reviews
5 of 5 people found the following review helpful.
Review in Eye magazine by John Walters
By Occasional Papers
The book design complex
Reviewed by John L. Walters
The annual one-day conference at St Bride Library in Bride Lane (off Fleet Street) has become a popular fixture in London's graphic calendar, tackling themes such as magazine design and (most recently, in January 2010) music. The Form of the Book Book is a modest record and souvenir of the 2009 event.
Each talk is a chapter, and most work well on the page. There's a scholarly account of Le Corbusier as book designer, and a memoir of working with Herbert Spencer in the 1970s from Chrissie Charlton (above right). Armand Mevis's 'Every Book Starts with an Idea' is more preface than complete piece, and an interview with Bob Stein (about the future of the book) is a little opaque. The most rewarding chapters are by Richard Hollis and James Goggin.
Hollis's 'Ways of Seeing Books' begins with Gyorgy Kepes's views on the use of the book. After a brief swipe at Bruce Mau and Phaidon, he describes his manner of working with John Berger on G. before berating Penguin for their treatment of the reissue of his innovative, still radical book design for Berger's Ways of Seeing.
Goggin's 'The Matta-Clark Complex' is a good-humoured critique of the temptations that await the unwary (or over-ambitious) designer. This 'Complex' denotes the way designers create books whose form apes and competes with the content. Art books about the late Gordon Matta-Clark, known for his 'building cuts', make ideal case studies. Goggin's thoughtful conclusions demonstrate why he is one of the most interesting designers of his generation.
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