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[O665.Ebook] Get Free Ebook The Painting of Modern Life: Paris in the Art of Manet and his Followers, by T. J. Clark

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The Painting of Modern Life: Paris in the Art of Manet and his Followers, by T. J. Clark

The Painting of Modern Life: Paris in the Art of Manet and his Followers, by T. J. Clark



The Painting of Modern Life: Paris in the Art of Manet and his Followers, by T. J. Clark

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The Painting of Modern Life: Paris in the Art of Manet and his Followers, by T. J. Clark

The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, caf�s, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III, or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.

  • Sales Rank: #36229 in Books
  • Brand: Clark, T. J.
  • Published on: 1999-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .92" w x 6.63" l, 1.87 pounds
  • Binding: Paperback
  • 376 pages
Features
  • Used Book in Good Condition

Review
"The Painting of Modern Life is a very good and very beautiful book. It deserves the closest critical attention.... It is a book that will stir up passion and controversy."--David Harvey, Journal of Historical Geography

"That he restores a social and historical context to the work he discusses--from Manet's Musique aux Tuileries to Seurat's Grande Jatte--is not what is most original about Clark's book, elegant and telling as his delineation generally is.... What really lifts the book into a category of its own is the manner in which the assimilation of contextual detail and the observation of pictorial detail are worked together into an argument."--Charles Harrison, Art Monthly

"Mr. Clark ... writes with considerable verve; his interpretations of individual paintings are often illuminating, and he is soaked in the social history of the period with which he deals."--John Gross, The New York Times

"Like everything that T. J. Clark writes, [this] book bubbles with new ideas and old ideas freshly turned; it is intriguing, suggestive and well written."--Eugen Weber, The Times Literary Supplement

From the Back Cover
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds -- the birthplace of those habits of commerce and leisure that constitute "modern life". Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives -- be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.

About the Author
T. J. Clark is Chancellor's Professor of Modern Art at the University of California, Berkeley, and the author of Image of the People: Gustave Courbet and the 1848 Revolution, The Absolute Bourgeois: Artists and Politics in France, 1848-1851, and Farewell to an Idea: Episodes from a History of Modernism.

Most helpful customer reviews

70 of 79 people found the following review helpful.
An Art History Book For Anyone Interested in History
By Jeffrey A. Cohen
I like to think of myself as a person who is curious about a wide range of things, especially in the realm of culture and the arts. Most art history books, however, put me right to sleep, with their endless catalogs of curatorial details about brushstrokes and paint textures and influences and provenance. These detailed analyses almost never situate the paintings in any sort of context and almost never explain WHY we should be interested in these details, other than to prove ourselves worthy connoiseurs to others in the know. Clark's book is a refreshing change from such mandarin drivel. Clark begins with a lengthy discussion of the social context of the paintings he is about to discuss and only then proceeds to extended analyses of particular paintings. Clark is interested in the larger ideas and trends of the period and, most important of all, actually USES the details of the paintings as evidence in the course of making an ARGUMENT about what the paintings mean (hint to other art historians: having an argument contributes significantly to the interest of a book or article). In addition, Clark's argument about the nature of the social changes occuring in France in the 1860's and 70's is compelling and thought-provoking (be forewarned: some Marxism is involved). I found myself actually learning things about the paintings Clark discusses, and looking at them over and over again, trying to find more in them, in much the same way as I would go back to a book or a poem after reading a good piece of literary criticism. I think this book will appeal to anyone who wants to learn more about either 19th-century French painting or 19th-century France. Clark is a stimulating and perceptive guide to this crucial period in the history of painting. Bravo!

34 of 37 people found the following review helpful.
As perfect as the paintings he discusses?
By nkb
As a student of nineteenth century French painting, I think this may in fact be the finest book ever written on Parisian painting in the time of Haussmanization. Clark manages to offer an intelligent Marxist-based claim about class and the emerging Parisian landscape in the 60's without losing sight of the paintings themselves. While most scholars feel the genius of this book lies in his wonderful discussion of "what couldn't be seen in Olympia", I find the first chapter "Environs of Paris" equally fascinating in its discussion of Manet's Exposition Universelle of 1867. A MUST read for any lover of Parisian history or Manet.

9 of 10 people found the following review helpful.
ad infinitum
By Dan Dan
Clark often interrupts himself and unabashedly links sentences together with numerous colons, hyphens, and semicolons, thus making his ideas unclear at times.

He is very unorganized when developing ideas and likes to make and counter his argument in the same breath.

It becomes ironically evident after reading the preface, introduction, and first chapter that Clark is writing for his colleagues in academia and not for the masses.

Once you get use to his longwinded style the rest of the book is fantastic.

See all 16 customer reviews...

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